Tourist Spots are like Alcohol. The worst ones leave a bad taste and the best ones keep you asking for more. Not that I know much about wine, but for me I’d never think twice about coming to Japan the same way I won’t refuse another glass of Martini.
Unfortunately, the signs didn’t look good even before my trip began. It started with one innocent sneeze while I was still packing my things then soon came that sneeze’s brother, sister, pet dog, and before I knew it was the whole family. I had the feeling that the stars and galaxies conspired that day to align themselves in the sky and jinx my trip.
It’s easy to say it could have been worse…until I forgot to bring my tripod.
As usual, this Japan Trip was primarily business with me just making extra arrangements to stay longer so I can go around. Now that I think of it, having the trip partly business and partly sightseeing painted to me a more complete picture of the Japanese way of life. For three days, me and my colleagues went to this factory to witness a new equipment that our company bought undergo a series of tests. This gave me a chance to see the famous Japanese work ethic which blew me away.
In the factory, there was this guy who manually recorded the test results for us every 5 minutes for the entire day during our 3-day test. In those 3 days, I’ve never seen anyone show such enthusiasm and pride in the face of an obviously boring and repetitive task. I was impressed how this guy never even once faltered as he timely and carefully read each instrument and wrote them down in his paper. And when he is not doing that, he goes to his computer to encode it so he can “Work on other things after the test” as he says. What’s doing the same thing again and again for 3 days anyway? It still doesn’t make someone superhuman but what if that person has been doing that job for 15 years? Now that is something. To be fair, this guy was also in charge of setting up the whole test which entails configuring all the equipments to match the conditions set by customers like us.
I can recall countless other examples demonstrating how the Japanese put so much Passion and Respect in whatever they do. From the lady behind the counter at McDonald’s who greets us with the same lengthy speech every morning to the guy serving us doing his best to explain what is in our Ramen every evening, Japan’s work culture was like everybody else’s work culture shifted to high gear. At some point I remember telling myself how I wish this culture was contagious so I can bring home some of it.
Our booking for this trip was nothing less than a challenge as well. As our main destination was Ritto, Shiga which around 20 minutes from Kyoto, our travel agent must have had the impression that flying us through Tokyo is a good idea since they sound almost the same (Tokyo and Kyoto). Unfortunately they’re far from close so we had to ride the Shinkansen…Unfortunately
But of course, I couldn’t just pass through Tokyo without looking around. I managed to squeeze in a few itineraries in the morning the day before our group headed for Kyoto.
Seeing the Shinkansen for the first time stirs up a childish awe far from what you’d feel when you see Europe’s TGV or ICE. With a fuselage resembling Donald Duck, it was like a Disneyland train ride on steroids. However, despite being more technologically advanced, the Shinkansen (Nozomi Line) is slower on the tracks than its Euro counterparts at least for the Tokyo-Kyoto route.
Let’s leave that statement as it is we don’t want to be talking about System Reliability, Track Design or Motor placement here do we?
On reaching Kyoto Station, I was surprised to see that it was just as hectic perhaps even more than Tokyo Station. Having arrived on a Sunday afternoon, I saw several Japanese ladies in their elegant Kimonos out and about the Station. Later I learned Japanese women wear their Kimonos as men would wear their Tuxedos whenever they attend significant gatherings.
The Internet offers vast amounts of information on what places to see in Kyoto. My bag was literally bursting with brochures and maps I printed out in advance as I tried (sort of) planning my sightseeing itineraries in Kyoto. However with my nose acting up and the cold weather not on my side, I had to trim down my list.
There is no way I am taking Fushimi Inari Taisha off the list and it was the first spot I went to just in case I can’t get enough of it in one day. It was an advantage that I was still adjusting to the new time zone that I always woke up early in Japan. There’s almost nobody around in the temples early in the morning so I didn’t worry about Photo Bombers in my photo and by the time I was done and already leaving, I was Photo Bombing other tourists’ photos.
I definitely had my fill of Torii Shrines because the place was so full of it. Apparently, the eye-catching orange shrines are donated by Japanese businessmen to pray for wealth to Inari – the God of Rice among other things. Besides the shrines, statues of foxes or kitsune can be seen everywhere. The kitsune are considered as messengers and commonly depicted biting a key to unlock the rice granaries. To simply put it, donate a Torii, be kind to the Kitsune and hopfefully you’ll get yourself a rice granary. Well…something like that.
Next Stop was the Nijo Castle. To me, the highlights of the castle were its amazing autumn foliage, unbelievably manicured gardens and its inspiring lagoons. Of course, there is the Castle but since they don’t allow photography inside, tourists tend to just breeze through that part and spend most of their time in the gardens. What I remember about the castle interior though is that the wooden floors squeak. According to the guide, these floors are actually called “Nightingale Floors” because they were specifically designed to squeak not in an annoying tone but somewhat resembling birds chirping. It was very convincing especially when groups of people walk on the nightingale floors as the squeaks sound as if a group of birds were playing outside the windows.
Last on my list was Arashiyama to see the Bamboo Forest. Although it might sound strange to include the Bamboo Forest as part of my itinerary when there’s plenty of it where I came from, this was entirely different. Back home that is Philippine Bamboo, what they have here is Japanese Bamboo get it?
And like I said earlier, being early to places like the Fushimi Inari and the Bamboo Forest makes a big difference because your photos can be easily bombed with tourists. Also, never forget to bring your tripod because cold mornings and low light don’t mix well.
There’s more to Arashiyama than just the Bamboo forest. By midday, the place was buzzing with businesses catering to tourists selling anything from Cakes to Trinkets and even Mushrooms. Rickshaws are also everywhere in Arashiyama and the drivers are friendly too. They do not hesitate to give you a small bow even if you just cross glances.
The Tenryu-ji Temple grounds are among the best places to enjoy the autumn leaves in Arashiyama. Actually, it was a bit late since it was already the first week of December nevertheless, the leaves were still impressive. The Temple itself and the Sogen Pond are among its highlights and are said to be one of the great examples of Zen Architecture.
After the Tenryu-ji Temple, I decided to walk further towards Togetsukyo bridge. Here, Mt. Arashiyama and the Oi River provides a wonderful backdrop for doing just about anything. The road running parallel to Oi River was also lined up with Rickshaws waiting for tourist patrons. Everything seemed to be in order and despite of the volume of tourists, cleanliness was impressively maintained. A Tourist Trap in its negative sense was far from the impression I got of Arashiyama.
My flight home was through Kansai Airport in Osaka so I hurriedly went back to the hotel after finishing Arashiyama to get the rest of my bags. Osaka was not very far from Kyoto so I chose not to ride the Shinkansen. This time I got on the Haruka Express which was a flat nosed train and looked more muscular compared to the Shinkansen. The ride to Kansai Airport was smooth and quiet all throughout. After a short nap, I spent the rest of the trip reviewing the photos I took. It was a proud moment for me as I realized that a few days ago I was only looking at these places on the National Geographic website while now I’ve actually been there and I have my own photo to prove it.
Probably that comforting thought and the Zen Gardens taking effect were the reasons I wasn’t sentimental about leaving this time. But I am definitely coming back.
The schedule of my work requires me to be on site for 28 consecutive days on 12 hour shifts with no weekends and then 28 days vacation to even it out. It will probably sound like a good deal at first but I say the 28 days off might not even be fair enough. You will definitely be amazed how 28 days working straight can totally mess up your mind and drive you almost to the point of insanity.
That is why when I’m at work, I am bound to do work whether I like it or not. I think of myself as a bird flying away from the great forest and going straight into a cage every time my 28 days of work begins.
There are days when all you want to do is survive and get one day over with so you’re one day nearer to returning home. For me, most of the days are like that though. One positive thing about it is that when I am at work, I sleep early…way too early unlike when I am at home in the Philippines, I just can’t get enough of one day and I feel like I can’t give it up yet just to sleep.
That reflects my point of view about sleeping which I don’t see as a mere necessity for my body. For me, sleeping involves a profound connection to life. For me, sleeping is our personal surrender that a day is concluded. One day was like a play held successfully on the stage, with all the chorus and highlights, laughter and sadness. The curtains cannot go down unless the applause is made.
Not quite the same thing here. Because of the unforgiving monotony, I can no longer tell where one day ended and the other day started. My body feels the same and no matter how many hours of sleep I get, I will wake up still tired and dazed. What used to be my reality is reduced to a dream.
I make it a point to bring my camera with me on my 28-day roster. Although I know there is little chance of putting it to any significant use, my camera keeps me hoping that something better will show up. Some evenings, I try to shoot with my camera but I end up dissatisfied with what I come up with and just give up. I feel all creativity in me is snuffed out. Sometimes I feel bothered what if I can’t recover my creativity back. Fortunately that has not happened YET.
All being said and after a long, bleak but personally necessary introduction, here’s the deal.
I was given an odd assignment 3 days ago by my boss. He said he wanted to frame some photos of our Refinery and put them throughout the office. It sounded like a good idea but if you think about it, do you really want to see more pictures of the Refinery when there is obviously nothing else to see outside of the office besides the Refinery!
But anyway, I found my boss’s request a humbling compliment and of course a challenge. Right there I knew it will take a miracle for me to turn ON my creativity when I turned it OFF the moment I left Philippines. Trying to breathe some enthusiasm to my predicament, I told myself that this could be something that I can add on to my blog. After all, I haven’t seen anybody blog about an Oil Refinery better yet make it a Photography subject.
Among the things a photographer will find interesting in an Oil Refinery is the unlimited instances of repetitions and patterns. The first photo I have here is one example of repetition. Despite the complete lack of creativity and aesthetic value of the subject, this photo is admirable from an Engineering point of view because of stuff like commonality of equipment, inter-changeability of parts, maintainability etc.
Now, a lot of people love to take photos of repeating subjects. Sadly, it is used so often especially by beginners because it is one of the simplest compositions to make and due to our inherent bias towards appreciating patterns the results always turn out to be pleasing. But of course there are some that do not show any thing of interest anymore because they have been done a lot of times already. Think about clothespins on wires, crayons, pencils – familiar right?
It is debatable and probably depending on one’s taste how to take photos of repetitions. Do you use a shallow Depth of Field or do you go full blast at F11? I know I might get tied to the cross for this but I find it absurd to use a shallow depth of field on repetitions because you will end up blurring out the rest of the items not in the Focus Point hence making the entire repetition scene useless. If you ask me, I use a shallow depth of field when I want to isolate a subject.
The next photo I have here is a view taken from one of the Heat Exchanger platforms showing an excellent view of the process columns as well as the storage tanks. Nothing of particular interest here but It is a best effort of combining the hefty portions of the subject and some bits of the surrounding environment (vegetation, weather and topography). My curves and exposure seem off at this point but I had to compromise because I wanted more attention to the details of the piping, columns, stacks and all the boring stuff . I felt that an HDR is not necessary as the photos will be viewed more by Engineers anyway.
This next photo is intended to strike a sense of dimension emphasizing to the viewer the height of the subject and the relative distances they are between each other. A good level of detail was called for in this shot because the leading lines created by the Wide-angle lens have a tendency to draw the viewer’s eyes all the way through the top. Actually, I veer towards a liking on photos that draw attention and have that power to manipulate the eyes of the viewer.
This last one is an off angle shot I included in the mix to give a dynamic sense to the place. All the straight vertical and horizontal lines tends to convey that boxed-up emotion so adding a little angle gives that extra kick and puts some energy. I’ve done this in lots of occasions and it works well on group shots of people. It works wonders too because when your subject sees you tilting your camera they will start to loosen up which makes the whole process more natural and spontaneous.
Right now I’m looking forward to what my boss chooses to print out. How about you? Which one would you choose?